Kevin spencer hocus focus1/27/2024 Next weekend, I'm excited to be bringing The Magic of Kevin Spencer, a sensory inclusive performance, to the Baby Grand in Wilmington, DE. Over the years, this idea of "sensory inclusivity" has caught on among artists, agents, managers, and performing arts presenters. As the co-chair, I worked closely with the Conference Team and APAP leadership to introduce to international performing arts presenters the concept and benefits of sensory inclusive performances and the impact they could have in their communities. This is the largest performing arts organization in the world. Spencer K (2014) What is healing magic Available at: /. In January 2017, I was the co-chair of the Association of Performing Arts Professionals (APAP) Conference in New York City. Kevin Spencer, Gavin G Jenkins,, Martin M Davis, and Hon K Yuen. Of most importance to this discussion is the sub-system of volition. At the heart of this conceptual model are three sub-systems that make up the person. This cutting-edge, web-based application allows teachers to easily upload data and then provides visual evidence that students have made progress in five areas: cognition, motor skills, communication, and social skills while developing. Since the 1980s, the Model of Human Occupation ( Kielhofner and Burke, 1980) has guided the daily pursuits of many occupational therapists. And we began exploring how we might help other artists adapt their work to become sensory inclusive to reach an often marginalized population. Hocus Focus Analytics provides visual evidence to support student learning through arts-based activities. These sensory inclusive shows were designed to bring people of all abilities together to enjoy a bit of magical entertainment in a judgment-free environment.Īs the co-chair of the 2015 Midwest Arts Conference (a regional conference attended by performing arts professionals from 16 Midwestern states), I introduced the autism-friendly work of Theatre Development Fund (TDF NYC) led by Lisa Carling, to conference attendees. In 2009, Cindy and I started offering a special type of performance for audiences with sensory sensitivities.
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